

Archived from the original on 15 December 2019. "Quels films seront sélectionnés à Cannes ? Nos pronostics". "A Lover's Distance: Fragments: A Photoessay".
A lovers discourse how to#
A lovers discourse movie#
The book was adapted into a Hong Kong movie in Cantonese by directors Derek Tsang and Jimmy Wan called Lover's Discourse (戀人絮語, 2010). Barthes calls them "figures"-gestures of the lover at work.

It contains a list of "fragments", some of which come from literature and some from his own philosophical thought, of a lover's point of view. This book might be considered, in its restless search for authorities and examples, which range from Nietzsche to Zen, from Ruysbroek to Debussy, an encyclopaedia of that affirmative discourse which is the lovers.A Lover's Discourse: Fragments ( French: Fragments d’un discours amoureux) is a 1977 book by Roland Barthes.

It will be enjoyed and understood by two groups of readers: those who have been in love (or think they have, which is the same thing), and those who have never been in love (or think they have not, which is the same thing).

This book revives - beyond the psychological or clinical enterprises which have characterised such researches in our culture - the notion of the amorous subject. It is a language of solitude, of mythology, of what Barthes calls an image repertoire. This book revives - beyond the psychological or clinical enterprises which have characterised such researches in our culture - the notion of the amorous sub The language we use when we are in love is not a language we speak, for it is addressed to ourselves and to our imaginary beloved. The language we use when we are in love is not a language we speak, for it is addressed to ourselves and to our imaginary beloved. Barthes himself calls a lovers discourse 'a discourse whose occasion is indeed the memory of the sites (books, encounters) where such and such a thing has been read, spoken, heard' (1978.9).
